The Almost Heirloom

‘I had a lovely necklace once,’ said my grandmother. ‘It could have been yours.’

‘Was it stolen?’

‘No. In 1923, when I was fifteen, I sold it.’

‘Why?’

‘I could sit on my hair, but the fashion was for Eton bobs. When Father forbade it, I sneaked out, sold the necklace and went to my brother’s barber.’

I couldn’t imagine my grandmother, the perfect housewife, as a teenage rebel.

‘Was your father angry?’

‘Even angrier,’ she said, ‘when I started wearing skirts above the knee and pale stockings!’

She laughed, ‘keep annoying your parents, darling. It’s what youth is for.’

IMG_0123

Words and photograph copyright Paula Harmon 2017. Not be reproduced without the author’s express permission.

From a prompt in Thin Spiral Notebook

 

An Aching World

I have yearned to step into another world all my life.

Growing up devouring books, I longed to travel to Narnia where trees came alive and animals talked; to Olympus to watch the bickering gods; to wander Moomin Valley with Snufkin; to go to the Chalet School where there were no bullies and it was all right to be a bookworm; to the clean open prairies and simple life of Laura Ingalls Wilder, to the ordered drawing rooms of Agatha Christie, where justice always prevailed.

I wrote about fantasy worlds filled with mystical beasts or a facsimile of the real world in which, less likely than unicorns and dragons, people were kind to one another and learnt their lesson.

I can’t really remember a time when another world didn’t often look more appealing than the one I lived in. My father introduced me to current affairs when I was very small (probably far too small). I didn’t know what it was all about, simply that people were killing each other and suffering for reasons which no-one could adequately explain. Perhaps adults should bear this in mind: if you can’t justify something to a four year old, it may be because that something is completely unjustifiable.

By the time I was eighteen, I feared that I would never see adulthood because the people in charge all seemed to want to start a nuclear war. I was furious that all those “old” men (with the support of at least one “old” woman) wanted to destroy the world before we, the young, had had a chance to show how things should be done.

When I was growing up, female role models were confusing: dolly bird (probably promiscuous – good for a dirty weekend but not wife material), frustrated spinster (ugly but filled with ludicrous desire – a figure of fun), career woman/possible lesbian (all she needed to do was meet the right man), or of course the pinnacle: good wife and mother. Similar stereotypes applied to different ethnic or national groups, people of different sexual orientations, people of different religions. It didn’t seem possible to be just a human being.

When I was fifteen, I started writing a novel and created a country run on matriarchal grounds. I believed that women would run things better than men. I thought it would be more equal, fairer; that compassion would hold greater value than power. Then I discovered that women in politics can be just as ruthless and cruel as men; not simply to keep their end up, but because women are capable of cruelty and indifference in the same way that men can be gentle and nurturing. It’s not a gender thing. It never was a gender thing. Some people are kind and others cruel. Even when the cultural norm is for a distant father and an indulgent mother, the reality is something else entirely. People are just people.

And right now, people make me cry. Discrimination and racism makes no sense at all and yet people are marching in support of it. How can anyone say “we’ll look after our people according to our needs, and you look after yours according to yours” when everyone’s needs are the same: food, shelter, respect, purpose, love. Our skins protect our insides; our skull is supposed to be where we keep a brain. The shape and colour are irrelevant. Our cultural heritage is often a red herring. Most, if not all of us are descendants of populations which have been over-run, invaded, enslaved for centuries. (I wish, I wish every racist could be DNA tested.) Politics and religion can create an ethical framework, they need not be an excuse for prejudice, murder, cruelty and stupidity.

Over the years, I have often wished I could get off the world and step into somewhere that made more sense. Sometimes, it was because I was depressed or bereaved. Nowadays, it’s because I’m angry. I cannot believe what has been happening in the last few years, what deep-rooted hatreds and divisions have been exposed and are being excused as reasonable in my own country and countries where I thought people were moving forward not backward.

When I was a teenager, I thought that the majority of my generation, if given the opportunity, would create a world without man-made suffering or inequalities; would heal the environment and that people would no longer be discriminated against on the grounds of… well, anything.

Well guess what, now I’m no longer a teenager. The “old men” in politics are my own generation give or take a decade. Some of them are younger.

What happened to us? What happened to the great democracies who prided themselves on being fair? Was the move towards equity just a thin veneer over underlying hatred?

I despair. I feel beyond horrified, that another person was capable of driving into a group of other people, prepared to kill; that not just leaders but members of the public are talking about nuclear war as if it’s excusable.

People are still prepared to stand up for what’s good and true. There are many of us, hopefully the majority, who want the world to be a better place, not just for others like ourselves but for everyone. These days seem an unpleasant reflection of the 1930s. I hope that we retain the freedom to pass on the baton to the next generation and that they will continue driving forward towards a fairer future.

Yes I sometimes long to step away, to set foot in an imaginary world where everything is all right. I want to read or write about it. But it is only for a while, because I also love the world I’m in. I love its beauty, I love the creative and compassionate potential of every human. Perhaps this is why writers and artists and musicians make alternative worlds – because they want to hold up a mirror to what is and show a vision of what could be.

I just want the world to pause in joy, peace and awe, rather than spiral into destruction at the hands of those who are so stupid, so full of hate, they cannot see the wonder and potential of everyone and everything around them.

vortex

 

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

War Games

Go Home!

In the Diner

Outside rain pours onto a city dissolved into night.

Inside, the diner is garish with comforting colours; I smell coffee, fried food and damp clothes. I gather my things.

At this despairing hour, there is music, but little chatter. I should go, taking and leaving loneliness.

I should go, returning to my world; rejecting yours.

You catch my hand.

I should go. I should not look into your eyes. But I do. Through my tears, I see your tears. I am lost. Lost in love for you. Lost mapless at a crossroads.

Your hand holds mine.

I do not leave.

diner

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

From a prompt “Lost” on Thin Spiral Notebook – check out the other reactions

Jasmine Tea

Holidays still felt wrong. Over the years, Diana had adapted to everything else. She had been independent and capable before she married, she was independent and capable after he’d gone. She reverted. The bed felt wider, the bills were harder. Otherwise the only things that mattered were the two daughters to bring up alone and a heart which felt as if it was made of cogs and gears running on oil, rather than flesh and blood powered by love.

But holidays were hard. When the girls were still little, there was no-one to plan the day with, argue over directions with, choose a restaurant with, count the pounds/pesetas/drachmas/euros with, sit up in the evening over a glass of wine and watch the sun go down with. As the girls grew, there was no-one to help them jump waves, to play jokes on silly, serious mummy; no-one to help kiss those sun drenched faces as they slept under strange skies, exhausted by new experiences. But she kept on anyway. At first, she decided where they would go and as years passed, she invited her daughters’ input and through their eyes, experienced the world anew.

Now they were nearly grown. Diana was no longer alone in the hot cicada evenings, one daughter would share a little of the wine and the other filled the evening with guitar music. But her bed was still cold on one side. And soon, the girls would fly the nest and she would vacation alone.

In the first week of their holiday, Diana took the girls a few miles upstream of the pretty town and watched as her confident, independent daughters, eschewing her help, phrase-book-Frenched themselves a canoe trip down the river. She saw them push off from the bank, all orange and yellow and red, insulting each other and arguing over paddling techniques as they disappeared under the trees; then she drove back to wait for them.

She had two hours to kill. This was the first time she had been abroad, totally on her own, since she had been in her twenties. There was no sticky hand to hold, no arm hooked through hers, no squabble to referee, no groans of boredom to contend with. To start, she walked the shaded streets along edges, peeking in windows, wondering who was watching her progress. She was the only person alone, washed along in a tide of families and couples.

Diana walked into a few shops and turned over the bright ceramics and lavender scented linen. She considered preserved delicacies and unusual jewellery. Under flapping awnings, waiters rushed to prepare tables for lunch, placing table mats and cutlery and reservation markers.

It was too early for lunch and besides, they would eat it together when the girls had finished their trip and handed the canoe back. But she was thirsty.

Going down a quieter side street, Diana found little businesses more unique than those in the main tourist area and among them, a shop selling English second hand books with a salon de thé attached. Diana could never resist a bookshop. She was pleasantly surprised with the selection, expecting tattered forty year old Penguins and musky hardbacks. The books were good quality and varied, the shop light and airy, with gentle piano music in the background. She could see through into the rear where a few tables stood neat with lace tablecloths and beyond them the light green of a narrow garden which must lead down to the river.

Diana chose three books and approached the till which stood between the open door and the empty tables. The music stopped and turning, she realised the piano was behind her and a tall man had risen to serve her. What nationality was he? After all, he was selling books in English. But his ‘Bonjour madame,’ was definitely French.

‘Bonjour monsieur,’ she said, handing over the books. The sounds of birds came in through the door and she could hear the laughter of people on the river and commentary on a passing tourist boat. She still had an hour to kill. Looking out into the garden, Diana noticed there tables were set up in the shade, a little vase of flowers on each one.

‘Et du thé aussi, s’il vous plaît?’ she asked.

The man smiled and handed her a menu. The range of teas was, like the selection of books, wide and varied. Diana’s desire for a taste of home was lost in the options. The day was very hot. It was too hot for English breakfast tea and milk.

‘Jasmin, s’il vous plaît,’ she said, struggling to remember in time to soften the J to make it sound French.
‘À l’intérieur ou..?’ he queried, indicating the cool of the interior.

‘Dans le jardin,’ she said firmly. She was pleased that although he knew she was an English speaker, although her accent was terrible, he continued to speak to her in French as he asked her to take a seat and said that he would bring the tea out to her.

Diana sat in the garden for a while, and then leaving her things on one of the spare seats, wandered down the length of the garden to enjoy its peaceful greenness and its slightly overblown flowers and herbs. She trailed her hands through lavender as she made her way to the end, where a little roofed store held spare tables and rusted garden tools. A small glass-less window looked down onto the river. Turning, she looked at the narrow back of the bookshop and its upper rooms and the stone walls enclosing this secret place of sun and tranquility. She ambled back to the table and took out her book.

‘Et voilà, Madame,’ said the man, putting a teapot and cup before her.

‘Merci beaucoup,’ Diana said, then, waving her hand added, ‘C’est très joli, ce jardin.’

Was that good French? She couldn’t remember. It sounded right.

The man paused and smiled, shrugging a little. He continued to speak in French, slowly but nevertheless in French: ‘it’s a bit of a mess, I’m afraid, I’d like to make to more appealing.’

Diana understood him. Every word. Well, not every word. But she understood what he was saying to her. She started to formulate a reply and then decided just to talk and hope that what she said made sense.

‘No. It’s good it looks at this time,’ she replied, knowing the French was wrong. But if she stopped to work it out, she might as well not speak at all.

‘You’re very kind. Do you think it would be nice to have a tea garden?’

‘Yes,’ Diana could not remember the subjunctive, how to say ‘I’m sure it would’. She plumped for: ‘It’s very polite, gentle, tranquil… I’m sorry – my French is very bad.’

The man smiled. ‘Not so bad,’ he said.

‘I’m not at school during many years,’ Diana winced, imagining her A level teacher sobbing into her text books. ‘Depuis’ not ‘pendant’. Too late.

‘Are you holidaying alone?’ asked the man. Somehow it felt neither intrusive or creepy. It was just a question.

‘No, my daughters are with me too. They promenade on the river in a canoe.’ What a ridiculous thing to say. And what must he think of her, leaving them to do it on their own? ‘They’re eighteen and sixteen,’ she added. Although now she thought about it, he couldn’t possibly think they were little children, she was no longer a young woman. She was sitting in front of him. The sun shone on her fine lines and anyone, even a man, could almost certainly tell that her hair was coloured and spot the reading glasses on the table. For a second she felt silly but he didn’t seem to be appraising her. He was just chatting.

‘Your daughters – do they speak French too?’

Diana was ashamed, not for the first time, of the linguistic indifference of her nationality. ‘One – she learns Spanish only. The other loves music alone.’

‘Ah,’ he nodded as if in approval, ‘does she play an instrument?’

‘Yes, the guitar. She’s in a team…er… gang.. er…band.’

‘And you?’

‘Yes, I play a bit on the …..’ what on earth was the word for piano? She pointed at the instrument inside.

‘Piano,’ the man told her without reproach.

Diana pulled a face in apology, ‘Sometimes …. when we’re on holiday, I ….’ (what’s the word for ‘miss’?) ‘want to play…I’m sorry. I forget more than I learned.’

‘Don’t be sorry, it’s nice for me to speak to a customer in French,’ he answered.

There was a silence but it was comfortable. Diana poured her tea and wondered how to ask what had made him start this business. He was looking down the garden as if envisaging it with more tables, filled with customers. Perhaps he preferred it as it was now, quiet, with just a few people dropping in from time to time, so that most of the time, he could play piano to his audience of pre-loved books. He was, like her, neither young nor old either. Just himself.

‘Monsieur, pourquoi…’ she started but then a voice called from the interior:

‘Yoohoo! Jacques! It’s us!’

The man bowed to Diana and smiled, ‘Pardon, madame,’ he said, ‘… et merci.’

‘Merci aussi,’ she replied as he turned to his other customers.

Thank you? What for?

She heard him inside, still courteous but now speaking impeccable English, ‘good morning Mr and Mrs Smith, how are you both today? What tea would you like? I have some green tea or lapsang souchong? Or orange blossom perhaps?’

‘Oh away with you and your teas!’ laughed Mrs Smith, ‘you know we don’t like that sort of thing. Just the usual, same as always.’

‘Inside or outside?’ asked Jacques.

‘Inside’s cooler I reckon,’ decided Mr Smith, ‘and no insects.’

In the garden, in the breezy shade, Diana finished her tea and carefully carried her things back to the counter. She paid Jacques and smiled, seeing him glance at the piano. 

’Come again, even if you don’t want books or tea,’ he said in French, ‘just to play the piano. If you’d like to, that is.’

‘Thank you, I think on the subject of it.’

Outside in the street, Diana made her way to the canoe landing place, slowly. When she arrived, the girls were waiting.
‘What have you been up to?’ asked her youngest, ‘you’re all smiley.’

‘Aren’t I allowed to smile?’ argued Diana, ‘I’m so proud of you both, you’ll give anything a go. Daddy would have been so pleased to know that you grew up willing to try. He was never scared of anything.’

Her eldest gave her a hug damp with river water. It was eleven years since his death but she could remember him, just about, ‘Or maybe, he was scared but he tried anyway,’ she said, ‘just like you.’

Just like me, thought Diana.

‘So really, what were you up to?’ asked her eldest.

‘Bought some books, had a cup of tea.’

Her youngest looked unimpressed. ‘Can we go canoeing again, Mum?’

‘If you like,’ said Diana.

‘What will you do? More tea?’

Diana thought about it. ‘

Yes, why not,’ she said, ‘and maybe find a piano to play. I’m going to try something new.’

salon de the

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Timewalker

Once I ascended hills, brushing my hands through lavender or tempted by strawberries. I gathered berries along the row by the heath. I walked by rivulets and stepped over streams, feeling the clay under my feet.

When the invaders came, I walked on in the shadow of the stockade as it rose then burnt and fell then rose again over and over until the timber was replaced by stone.

I walked inside walls as they rolled outwards like ripples; one built after another to encompass the paving as it sneaked cobble by cobble across fields and mud.

The rivulets flowed on, trickling with waste from the tanners and butchers and chamber pots into the sludge and churn of the river.

Sometimes, I crossed the river’s waves in rocking boats or followed up in darkness to the watergate. On its southern shores, I walked among bawdy, gaudy folk as they spilled out of theatres and taverns. Women, painted with lead, carmine and disease called me to join them but I walked on.

They covered Tyburn Brook and I walked, tracing its invisible path with my eyes to avoid seeing my surroundings. Sometimes the blood trickled at pace with me and feet jolted feet above me, as I stepped aside from the innards on the path. But I kept my head down, never looking up in case pecked out eyes from unbodied heads should be watching.

Later, death stalked. Flea laden rats scurried across my feet but my feet did not stop. And too soon afterwards, as stone walls burnt and timbers trembled into ash and multi-coloured windows exploded, I still walked on.

I walked east. People lived like lice, huddled and swarming; boiling, roiling in dark, damp rooms. The children’s bare feet hop over filth and then drank of the river though stank and lethal. I walked west. People lived like gilded gods; demanding, beautiful, finger-clicking, bell-ringing. I was wallpaper, disposal.

Under my feet, down in the clay where once I trod, engines started run through tunnels, snake like, engorging and disgorging. And I walked on, my shoulders rubbing another generation of strangers, belongings slung over their shoulders, as they stumbled into overcrowded rooms.

The last of the rivulets were bricked up and channelled, their trickle echoed in the naming of streets above them. And some of them ran through channels of brick and bore away the waste and contagion and others seeped. I plodded on.

Sometimes, my mouth is choked with fog and I cannot see more than my feet plodding from pool to pool of filtered lamplight. The air is oily. In the east, a different death now stalked the gaudy women. Whitechapel stained red and I walked in the shadows out of sight.

And then the pyrotechnics of terror: the skies flashed and buildings fell. The earth exploded into craters under my feet so that I clambered over brick and rubble, brushing the dust from my shoes.

Now, in clear skies, above me leviathans rear from the ground into impossible monoliths of glass and steel and I walk and walk as I have always walked. Invisible.

My toes remember the squelch of the marsh. My hands recall the lavender and my tongue the strawberries although now the fields grow nothing but pavements and terraces.

No one asks me what I see, what I know. I am nothing. A shade.

I look down at my feet treading on the pavements lain over cobbles, lain over straw, lain over mud, lain over bones: hidden or forgotten, lain over dreams and forgotten faiths, lain over five thousand years. And they will remember the rich and the powerful, the bookmarks in history but they will not remember me. My feet have been every colour. I am local, incomer, foreigner, slave. I am the spirit of every servant who walked, unseen, unnoticed but seeing, noticing; head down, feet tired.

And so will I continue, going about someone else’s business; walking over hidden histories and forgotten streams as pride and empires rise and fall. Until eventually the monstrous edifices return to dust. Till the marsh reeds burst back through the paving. Till I can run my hands through lavender and pick wild strawberries once more.

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Historical Note
This was prompted by walking up Lavender Hill near Clapham Junction and trying to imagine it when it was fields and not urban. It’s impossible to do justice to the history of London in 700 words, but here are the changes I’ve tried to reflect:

c. 4500 BC: Evidence of settlement
c.

43 AD: Roman settlement 
… c. 61 AD: Roman settlement destroyed when the Iceni tribe, led by Queen Boudicca burnt it to the ground… 
c.100 AD: Roman Londinium built to replace Colchester as the capital of the Roman Province
c. … 450 AD-950 AD decline of London after the collapse of Roman rule and during repeated Viking invasions…. 
c. 1066 AD London once again the largest town. William the conqueror builds Westminster Abbey and Tower of London… 
c. 1196- late 17th C: public executions at Tyburn
… 14th C AD: Black death – London loses a third of its population… 
16th C AD: In Southwark, William Shakespeare builds the Globe theatre. The south bank with its theatres and stews is generally disapproved of.
… 17th C AD: English civil war… 
1665 AD: Great Plague
… 1666 AD: Great Fire of London… 
1848-1866 AD: Cholera epidemics leading to building of sewers…   
1858 AD: Joseph Bazalgette was given the go ahead to start creating a system of sewers, the direct result of which was to clean up the Thames and stop the cholera outbreaks. 
… 1863: First underground railway 
… 1939-45 AD: Bombing killed over 30,000 Londoners and destroyed large tracts of land and buildings.
… 1952 AD: The Great Smog – perhaps 12,000 people died from pollution as a result of which the Clean Air Act was brought in which ended the ‘pea-souper’ fogs for which London was notorious… 
Modern day: The development of Canary Wharf, building of landmark buildings like The Shard etc

Subterranean rivers of London: as London developed, tributaries were covered over and now run in culverts. Fleet Street and Holborn for example are two streets named for the streams and brooks which run (or once ran) underneath them. If you like modern adult fantasy, there is a great series of books by Ben Aaronovitch imagining the lost rivers of London with personalities of their own and a whole world of magic in the modern day city hidden in plain sight.

Generally: the constant influx of immigration over centuries, including refugees and economic migrants, slaves and servants from Europe and beyond which make up the cultural melting pot which is a modern city.

Missingness

I didn’t expect to feel this way.

Perhaps it’s because it’s been quite stressful recently.

Perhaps it’s because while I’ve worked for the same organisation for nearly twenty-eight years, I’ve changed teams and job roles three times in two (and twice in eight months). This has been largely by choice because the alternatives were worse. I haven’t worked with a team who are all in the same building or even the same town for the majority of the last eleven years. I’ve yet to get past acquaintanceship with the people in my new team. Three days a week, I work from home or sit in a side office, usually on my own. Twice a week I rattle along in trains full of strangers to meet face to face maybe only one or two members of my team. On those days, I work in a large office in a huge building full of people, the majority of whom I don’t know and am never likely to know. Of the work friends I’ve built over my career, many are, like me, rushing from place to place all the time. It’s hard to meet up.

Perhaps it’s because I’m under the weather. Everything has been overwhelming for ages. I feel as if I’ve been stumbling through undergrowth, step by exhausting step, not sure where the path has gone. Now, despite the fact that it’s July, I have a chest cold and virus.

Or perhaps it’s because my children are growing up. They both sat public exams this year. My eldest is eighteen today. My youngest is less than two years behind. When my son leaves home for university in the autumn, my daughter will be starting sixth form. I have washed my last item of ink stained school uniform. Sixth formers don’t wear uniform. The children can see that adult life doesn’t live up to the hype but are eager for it anyway.

I feel lonely.

I don’t feel alone. I have a lovely husband who’s my best friend. My children, when we’re all disconnected from electronic devices, still hug and chatter. They’re great company. My oldest friends and my wonderful sister, who know me best, live some distance away. But I have fantastic local friends and my mother lives nearby. It’s not the loneliness I suffered at school, alienated by bullying, nor in the first year at university, too shy to talk to anyone. I know I’m not alone.

But I still feel lonely.

Eighteen years ago, my son, my longed-for, long-awaited child was put into my arms. I was so conscious of his dependence on me that although he slept, I couldn’t for fear he’d stop breathing. Now, his dependence on me is nebulous. He can take care of himself if he has to, he definitely has his own opinions and can and does make his own decisions. (Although, somehow it’s still me doing the laundry.) We’ve encouraged his independence always: given him space within boundaries. We’ve tried to prepare him for adulthood. He is a wonderful young man.

My daughter is following right on behind. She is my lovely, lovely girl. But last night, we were looking at possible universities for her. She is flexing her wings ready to fly.

When my son leaves home, my daughter, no matter how much they fight and argue, will miss him. It’ll be just three of us for a while and then before we know it, just two of us.

Life with just my husband will certainly be more peaceful. I am looking forward to it. I am looking forward to welcoming the children when they come home, looking forward to visiting them when they have homes of their own, looking forward to watching them build their own lives and traditions.

But what will my role be? Where perhaps someone else would feel their employment defined them and would be lost without its focus, I don’t think I have ever felt that way. I have my career, but truth to be told, I think the real me is writer, companion and the mother.

I never expected to feel lost when the nest started to empty but I do. I thought we had helped them mature year by year until they were ready to leave and we were ready to let them go. And we are ready. We are. And yet…

We never thought we’d have a child and then, eventually, my son came along. We thought we’d perhaps never have another, but my daughter had other ideas. I remember that after she was born and she was no longer part of me, although I could hold her in my arms, I missed the company of her in my womb. I felt lonely for something that was gone, even though it was replaced by something better. My role to protect and grow a child under my heart was over. I had to learn something new.

So perhaps it’s not loneliness exactly.

There is a word in Welsh ‘hiraeth’ which has no direct English translation. In Cornish, it is ‘hireth’ and in Breton, it is ‘hiraezh’. Welsh, Cornish and Breton are derived from the same ancient British language. The closest English explanation is an intense longing for something lost (usually a home or a person) or for the memory of them, whether real or imagined. Apparently, Portuguese and Galician have a similar word: ‘saudade’. It’s been translated as ‘missingness’.

So I don’t know exactly why I feel the way I do at the moment. Perhaps it’s the weather, perhaps it’s the virus I’m enduring, perhaps it’s work, perhaps it’s my age, but I think, in truth, it’s probably because I feel ‘hiraeth’ for the children who are now young adults and who will soon be leaving home.

One of my friends, whose daughter is the same age as mine, recently said that she felt adrift. And I thought ‘yes, that’s it exactly.’

I too feel adrift, looking back at the fading lands of their receding childhood, wondering where the breeze will take me next.

lonely 2

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Honey

She climbed a tree and hunched.

We called: ‘please come down,’ but she stared over the rooftops to the wide world as if yearning to fly.

‘What shall we do?’ we whispered.

In the kitchen, we cut a wobbly doorstep from the fresh loaf and poured honey over.

‘It’s your favourite,’ we called, ‘just for you.’

Mummy turned. A moment passed. Then she climbed down and hugged us tight, bread and all.

She smiled a little, but tears mingling with honey, sparkled in her hair.

Under our kisses, her face was sticky and salty.

‘We’ll make it better,’ we said.

honey

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

 

From a prompt on Thin Spiral Notebook – check out what others have written